Tag Archives: Artist Review

Breaking Out

Review of  Verity White’s album: Breaking Out

reviewed by Randy Wayne Belt
April 16, 2018

I remember how relieved a lot of people were when rock made a bit of a comeback in the 90s and I recall a lot of people saying how they felt they could listen to new music again instead of just regurgitated classics.

With rock’s decline in the late 90s and taking a backseat on major charts like Billboards, the dance and electro music chiefly took over pop radio and totally dominated by 2009. However, a pop/rock resurgence has occurred as led by the electro rock of groups like Imagine Dragons. It is almost like a cycle where pop/rock declines – then rock declines then pop/rock resurges – then rock resurges thereafter.

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Will rock make another comeback? Or will it stay almost as a cult following like when it first started? No one knows for sure. But there is one thing that is for sure – Rock is not dead  – and The UK’s own Verity White will be in the leading edge of a comeback!

Influenced by the 90s rock/grunge scene and adding her own twist of pure rock, some electronic, and a touch of progressive, Verity White’s debut full length album Breaking Out continues to do just that (break out). It is a strong debut album that should lodge her foot in the door and kick it in just enough for the next one to break it down.  And Verity isn’t waiting around for some pie in the sky big label to do the work for her.  She is dong it herself!

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Not only do the lyrics ring true from the heart of life’s experiences, Verity effectively delivers her vocal performance to match the moods on each song. Each song has its own character and each character is easily slipped into. And that shouldn’t be surprising considering her background in theater. Whether a song or component within a song requires the growl of a wild cat or the purr of a kitten, Verity delivers. Power and grit with fire and wit – Purr and claw, she’s got it all.

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As Indie Music Mag put it ” A powerful vocalist with a soulful streak that is truly compelling” (indie music mag, May 2017) I think they are onto something here.

If Verity is the wild cat of this album, then Alex, the guitarist, is the tom cat and shows no mercy to the helpless mice as they are shredded by claws of wound string fret to fret. The rest of the band fills right in with the necessary ingredients to cook up a perfect musical meal.

The extra rich crunchy electric guitars lift this album to a new level. The Hughes and Kettner head and Blackstar cab with a Les Paul Custom guitar run through provided the perfect warm and crunchy sound for this album. No wimpy guitars here!

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The textured layers of music on each track create a unique atmosphere for each song and relate to the lyrics in some way. Each song sounds like it was approached with a unique perspective of what that song needed production-wise. Each song was carefully crafted and attention to details are obvious to a scrutinizing listener.

The opening and title track, Breaking Out, with its meaty introduction to the listener of a real rock experience, kicks things off. It’s a musical “scotch on the rocks” and has a message that you can interpret for yourself in the video. (Watch recently released video for the song)

The second track, Zeroes and Ones, starts things off with a taste of keyboard driven verses showing the artists diversity in taste and style and ultimately lead into crunchy rock chorus pieces that flow easily together while following the emotion of the lyrics.

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Demonstrating an understanding of the importance of the bridge of a song as a great reset point, it is clear Verity and her production team have taken great pains to finely tune each track.

The keyboard driven sounds of track two continue into track three and then reset back to the harder edged guitar based riff rock with edgy and attitude oriented vocals. Carefully placed vocal effects further demonstrate that the production ideas of this album were no mere accidents but were carefully planned.

The rock attitude comes out fully in the song I Don’t Care which is a total pure rock song that Joan Jett would have been proud to have written and has the perfect bridge providing contrast to the rest of the song.  The fifth song, See Through It, demonstrates that Verity is capable of utilizing her obviously very trained voice and her sense of melody to give the album a break and slight detour into a bit of electronic pop/rock feel that gives the perfect reset point while it lyrically delves deeper into personal struggles that are ultimately given a sense of hope to overcome by the last track, (which is aptly titled Overcome).

That ability to handle any type of vocal is what led me to be ever more curious of her talent and how this album would turn out.

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So impressed was I with her handling of a number of vocal formats that I asked her to provide the leading harmony vocals on a remake by my own band, Barley Station, of the old dance/pop Madonna song “Borderline” (from 1983/1984) changing its format to a more rock-oriented tune but with a male/female lead vocal. And Verity indeed delivered! (view article on that)

One of my favorite tracks on this album is the song Exhale“. So I wasn’t surprised this was pushed as a single from the album. Like some of the other songs presented in this collection of original songs, “Exhale” combines the cleaner sounds of keyboards and weaves them through the song with the crunchy guitar sounds, creating textures

The album concludes with another of my favorites, the creative and hypnotic track “Overcome“. By now as the album is about to conclude, you understand and have a clearer picture of the concept behind the album of overcoming many of the things we struggle with in life. And especially so the struggles of an artist in a world that imagines perfection is achievable and projects unrealistic demands on its inhabitants. Overcoming the struggles of depression and using music as an outlet and healing mechanism seems to be an underlying theme that is effectively delivered in this album.

The set up is all there for a follow up album to demonstrate that Verity White will be an artist to watch and take notice of and as I said earlier, kick that door in the rest of the way. Verity is always interacting with her fans, has great stage presence, and works her tail off writing, recording, and touring. There’s no reason not to belief that she cannot achieve whatever she sets her mind to. Rumor has it a new single is in the works, so watch for that!

WEBSITE : www.veritywhite.com
SPOTIFY: https://open.spotify.com/album/7zF9Hwte3JZG8qLDZveCBM?si=V0ZITobGSDeBid2edOg75w
TWITTER : www.twitter.com/veebear
FACEBOOK: www.facebook.com/VerityWhiteSinger
INSTAGRAM: www.instagram.com/Original_Verity
PATREON: www.patreon.com/VerityWhite

PR Contact
Email: veebear@me.com

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Review/Interview of Naomi Psalm

Interview With Naomi Psalm and Review

of Naomi Psalm’s new single “Now You See Me”

You may remember awhile back I did a review of the music of recording artist Naomi Psalm titled “The Musical Art of Naomi Psalm”.And remember that section that talked about looking for a song by Naomi Psalm in October that was to be in a movie titled Ghostumentary?

Well, it’s here! The title of the song, “Now You See Me”, and the atmosphere created in the song were made to fit perfectly for the film with the line “Now you see me – now you don’t”.

And as always, with Naomi’s consistently good songwriting, it is not only a good fit for the film but is also a very catchy song that will definitely be stuck in your head!  Psalm has proved once again that she is a consistently good songwriter and vocalist!

(Click here to learn about the film at: http://www.ghostumentary.com/)

Produced by Scot Alexander (from the band Dishwalla), the big thumpy beat that comes in and the thick bass sounds drive the song home accenting, pulsating and drawing you into all those little nuances, such as the effects on the vocals, which in spots will leave a haunting impression as you hear it in stereo. (Yes, stereo is still the best way to listen to music) The mixing job and effects on the vocals are perfect and helped lend to the song the haunting effect that make the lyrics come alive.

IMG_8238The depth of Psalm’s songwriting will always intrigue as you wonder what some of the deeper meanings of the lyrics are when she sings “I’m not only in your dreams, but that’s the way it seems”. If you are a fan of the song “Ink”  from the Stare album, you’ll also be a fan of “Now You See Me”, which is in the same creative vein.

Click here to preview and purchase “Now You See Me” on iTunes here:

https://itunes.apple.com/us/album/now-you-see-me-single/id1046929061

So on the thought of creativity, I was able to get in a quick interview with Naomi

and being a visual artist myself as well I had to get into that right away.

Randy: What other creative arts are you into?

Naomi: I’m also a visual artist using the medium of water acrylics. I got into that in 2003 when I didn’t want to pay someone else to design my album cover.

Randy: I also paint (oil paint), so I have to ask, was there any artists (visual) that have inspired you or that you look up to?

Naomi: No one in particular. I just really like artists that paint abstract and colorful.

(Click here to view Naomi’s art on her homepage)

Randy: How did you get started in music?

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Naomi: I began writing poetry when I was 8. When I was 13, I inherited my grandfather’s guitar and started playing. I am self taught, and would glean inspiration from friends of my parents that would come over and jam all the time.

Randy: Explain your passion for music:

Naomi: I am deeply passionate about music. It is what makes me feel alive. The world seems right when I am performing music, writing songs, and creating art.

Randy: Do you have a “pet” instrument? (your favorite guitar, a ukulele, etc.)

Naomi: My takamine is my favorite guitar and has been with me since my dad bought me it in 1993. It gets better with age.

Randy: Yeah, the older the instruments the better they sound. So, who are your biggest influences and musical role models?

Naomi: Brandi Carlile is one of my biggest influences. She’s is an incredible singer/songwriter who really moves me.

Randy: What are you working on and what’s in the future for Naomi Psalm?

Naomi: I am finishing up an EP right now, as well as 2 music videos. I also just released the song that is in the movie Ghostumentary.

Randy: Does the EP you’re working on have a title yet? And can you divulge any of the song titles from the EP?

Naomi: I have a title rolling around in my head, but it’s top secret at this point.

“Hole in the Carpet” and “The Postman” are 2 song titles I’ll give away.

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Randy: How did you get hooked up with doing the song for Ghostumentary?

Did you write the song specifically for the movie? Or did you have something you

were already working on that you tailored to the movie? How did it come together creatively?

Naomi:   I am friends with one of the movie directors and he needed a theme song. I watched some rough footage for inspiration, and wrote the song specifically for the movie. That song came together really fast for me. The lyrics and music happened simultaneously.

Randy:  Awesome!  Do you have any collaborations going on or planned?

Naomi: There are 2 newly released songs out on YouTube that I have written with a local musician Ryan Bayne.

Randy: Cool! Link us up.

Naomi:  “Not My Kind” at http://youtu.be/929nhRF_cW4

and  “I Don’t Know Why You Love Me” here:  http://youtu.be/uf2-53R51Sc

Randy:  Great!  My two top favorite videos of yours thus far are “Ink” and “Already Hit Send”

(hint: click the song titles to watch the videos)

Randy:  Thanks for taking the time to interview!

Naomi: Sure! Thank YOU

Connect with Naomi Psalm here:

Website: http://www.naomipsalm.com

YouTube: http://www.YouTube.com/naomipsalm

Twitter: https://twitter.com/naomipsalm

Facebook: https://www.facebook.com/naomipsalmmusic

“Now You See Me” on iTunes: https://itunes.apple.com/us/album/now-you-see-me-single/id1046929061