Category Archives: new single

Two of Us (Behind the scenes)

On October 3, 2019 a version of the song Two of Us was released as a joint project between Barley Station and Minneapolis band Radio Drive (Two of Us is from The Beatles Let It Be album)  You can now find it on most digital retail outlets.

And THIS is a little behind the scenes story on how this composition was formed. It is a fitting release considering it is the 50th anniversary of when The Beatles actually finished the final version of this song – which was during the Jan. 31, 1969 session.

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Now, when you sing harmony with someone you really have to be a good listener not just a good singer. You need to hear all the nuances of the other person’s voice. Which is why sometimes people will say to an artist “you sing like siblings”. And usually it is people who have been singing together a long time.

Or in our case, listening in the studio over and over until our voices match properly since we were doing this as a distance project. So making music isn’t just about playing it, it is about listening and feeling it. If you are a musician, producer, or songwriter/arranger, etc., you might be interested in how the rest was put together.

I sent the finished vocals over to Kevin and we were very pleased with how that part turned out and we had lots of comments of how our voices blended so well.  That part was easy enough.

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Kevin Gullickson

One of the biggest challenges of the song, was trying to find the right arrangement. The first idea was to make it a bit contemporary alternative rock. That didn’t work.  Sonically, it was like the song demanded a simpler arrangement. So I went back in time and dug up what was going on when the Beatles were working it up. And not to my surprise, they had tried something similar but it ended up being what Paul McCartney phrased as “too chunky”. I knew exactly what he meant. It was too chunky.

At its core this is a folk song. I believe if you look up the genre of the original on iTunes it is classified as folk/rock.  Keeping to that original concept and also making it into something new would prove to be challenging but we didn’t know it when we started on it.  My approach has always been “let your ears guide you”, as the Beatles’ producer George Martin might say.

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Randy Wayne Belt

I listened to the original and dug up outtakes, including an outtake of the song, recorded on 24 January 1969, which was released on Anthology 3 in 1996. The chief difference to me was whether the bass lines were more ascending or descending but it was clear; those lines were important to the song and oddly enough to its integrity. With the basic rhythm track finally decided upon and liked by both Kevin and myself, I had to shelf the song again until the rest of the arrangement came the way it needed to.

There had to be a way to keep it a simple arrangement but add our own flavor. So I experimented. For months and months I would go back to it to try different things. By the last time I came back to it, it finally hit me. It needed to be mixed similar to what a 4 or 8 track recording would do and it needed a guitar part on the electric end to give it more body but not interfere with the melody or the overall feel.

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And then, the bass guitar part was really crucial to keep the songs integrity. In the album version, The Beatles’ George Harrison played the bass lines on a Fender Telecaster. No one knows exactly why but it could have been done on Sir Paul’s Hofner bass just as easily, but since he was playing acoustic guitar, to keep it with a live feel, George ends up doing bass parts. Imagining being there and knowing a bit how the Beatles worked, I would guess that George picked up his Telecaster and doodled along making bass notes to fill the song out and John and Paul said “lets keep it like that, it sounds cool”. And if anyone would do something of that kind of unusual nature, it would be The Beatles.

So when I lay down bass tracks, I went to my own Viola Bass, the same style McCartney used in the Revolver/Rubber Soul mid sixties era and it was definitely what the song was lacking for its low end.

Then the bongos were scaled back. In fact, everything was scaled back to make it simpler. At one point Kevin even had a Rhodes keyboard track if I remember correctly. And slowly we brought everything back in to see what fit right. The decision was finally made that Kevin’s crunchier electric guitar track would be brought in panned far to the right or left and my tremolo guitar would be far the opposite leaving the basic rhythm and vocal in the middle.

The easiest part to do whatever we wanted with was the double bridge “you and I have memories…”, probably because that part was more “open” and easier to experiment with without messing things up.  The tremolo guitar and the crunchy electric are allowed to stand out more there with the simpler rhythm and bass line.  I think that’s probably the part where you hear our input more – along with the original ideas that probably emanated from the brain of Sir Paul McCartney.

The final result was a balanced non chunky semi-rock version but keeping the song’s original integrity. After all, this is the Beatles. There has to be musical integrity mixed with experimentation. I think that’s how they’d have done it.

Listen on YouTube: https://youtu.be/BPZoxP8E2WU

Listen to Two of Us on Spotify

Buy it on iTunes

Buy on CDBaby

Two of Us by John Lennon and Paul McCartney
Copyright Sony/ATV Tunes LLC dba ATV o/b/o ATV (Northern Songs Catalog)

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The “Waiting” Video is Here

Time is precious and life is precious. We hope our video for the song “Waiting” effectively conveys that.  We often worry about the future, or obsess about the past and forget that we live here and now.  “Now is the day that is here” sums up the song fairly well.

It is a summery song in many ways with catchy guitar hooks, honest lyrics, and melody and harmony that grabs your ears as you would expect from any Barley Station song.

“Waiting” appears as track 1 on the Barley Station album Back There Somewhere, released Sept. 14, 2017.

Subscribe to our YouTube channel here for future releases:  http://www.youtube.com/barleystation

 

Announcing the release of Borderline by Barley Station

March 21, 2018

This is a Rock/Pop version of Madonna’s song that hit #10 on Billboards Top 100 in 1984. I was on the Billboards chart in various positions for a total of 30 weeks. This new version by Barley Station is more akin to the version of Madonna’s 2010 Stick and Sweet Tour and is a collaboration of vocals between Randy Wayne Belt (Barley Station) on lead vocal and Verity White (Verity White) on leading harmony (and both on backing vocals). It is an across the pond vocal collaboration between he U.S. and UK that will surprise many!

The old saying that a hit song is a hit song in any format bears true.  The new format for the song was achieved by removing the dance/pop elements from the song and stripping it all the way down to an acoustic guitar and vocal and rebuilding it with a rock/pop beat, crunchy guitars and somewhat gritty vocals.  It was with the help of Verity White on a leading harmony vocal that the song was able to be sung with a conviction and reflection of the new atmosphere that helped the song stay true to the integrity of the original underlying song written by Reggie Lucas and first performed by Madonna.

It was deemed by Randy, who produced the new version, that the piano/keyboard melody that opens the song was an important element that should be kept as closely as possible to the original and tastefully translated to the electric guitar. This was achieved by multi- layering various harmonics of the melodic phrases to achieve a thick and believable electric sound.  The rest of the song fell easily enough into place very naturally.

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So far, all those surveyed before the release, liked this version even better than the original.  That could be a matter of taste because the original was a brilliant mix of dance and pop. But at the least, this song works very well in a rockier format to be certain!

The photo for the cover is by Veronica Linge Phillips of Veronica Marie Photography.

You can find Borderline at most major digital retailers such as:

iTunes: https://itunes.apple.com/us/album/borderline/1352851105?i=1352851119

On Spotify: https://open.spotify.com/track/0vXxqupVurPDg7DMFtDK2Y?si=od48UVxjSMq4F-cGtbzkTA

And at CD Baby: https://store.cdbaby.com/cd/barleystation20

 

Olivia Penalva | “Dream You Home” Single Review

by Randy Wayne Belt
Dec 23, 2017

(First published in Starlight Music Chronicles on Nov. 30, 2017)

I’ll admit I love the Hallmark Christmas movies.  There’s something about that time of year  that makes even the mediocre movies seem good or magical.  But the best ones always have great music behind them.  Olivia Penalva’s new Christmas song “Dream You Home” would fit well as a background track for one of the well produced Hallmark Christmas movies, or any other, for that matter. This song is far beyond medicocrity.

Olivia, who hails from Vernon, BC in Canada, has put together quite a gem with this new song.  It has that magical sparkle to it in the underlying arrangements.  It is not as much an in-your-face Christmas song as it is capturing the spirit behind the season, making it perfect for placement in any Christmas or Holiday movie.  The chorus of the song is very memorable and powerful and even having  this as a background track would make any movie even better. (Great tracks can MAKE a great movie)

Not only does the song have a great mix of sounds based around a sort of shuffle march type drum beat on the verses but the lyrics are well written and paint a perfect picture of what she is trying to convey.

My favorite lyric in “Dream You Home” is “The light in your soul shines brighter than gold in my heart – that’s where you are.”

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The images invoked by the song could be any number of situations. It could be a lost loved one or a significant other who is separated by distance or time, or even a soldier gone in a far away land during the Christmas Season and the song  is almost like the soldiers spouse singing to bring him home even if it’s only at home in the heart.

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The song does indeed grab your heart and imagination, which is, to me, the ultimate goal of a song – to speak to anyone or everyone in any situation.  This is one more thing that makes it an easy shoo in for anyone considering it for a spot in a Christmas movie.

Often, it is this time of year when many find themselves missing a loved one in some capacity, and it isn’t always the best time for many, but even still and even if you are not into Christmas or the spirit of it, and even if you are the Grinch himself, this song still weighs in on its own merit as a song with a powerful  chorus that demands attention and speaks to the soul.

This isn’t Olivia’s first Christmas song.  I reviewed “Christmas For Two” which was published in Starlight Music Chronicles’ December issue back in 2015

 

And also on my own blog: https://barleystation.wordpress.com/2015/12/19/review-of-christmas-for-two/

Since that time Olivia has progressed even further as an artist and has honed even further her vocal and songwriting skills. Recently reaching a million plays on Spotify, her newer music bears out how far she’s grown since then.

Her voice still has that same special warmth to it but with a sultry yet still innocent sound that will capture your ears, heart, and will leave a memorable impression when you hear it.  I compared her voice before, in a sense to that of Nora Jones, or Colbie Caillet.  In fact, since the last review, Olivia was able to be mentored by Colbie Caillet after winning teen artist of the year in the Starlight Music Chronicles “Artist of the Year Contest” in 2016.

As a winner, Olivia got to attend ArtistMax an Artist Development program in L.A. in March 2017. Artist Max was dreamed up by legendary producer and engineer Ken Caillet (Fleetwood Mac Rumours) and was mentored there by Ken and Colbie Caillet, and David Foster in L.A..

Link to Dream You Home on Spotify:
https://open.spotify.com/album/69E17KNMwKzhFSPRHKNHQU

Facebook: https://www.facebook.com/OliviaMusicLive/

Website: https://www.oliviamusiclive.com/

YouTube Lyrics Video: https://youtu.be/Fp6F0TAK1AI

Olivia Penalva SMC 2016 TEEN Artist of the Year

iTunes: https://itunes.apple.com/us/album/dream-you-home/1300720379?i=1300720661

Must Be Something

To catch up with all the singles released since my last blog post, we will start with this one.

The single “Must Be Something” was released on March 31, 2016 and also appears on Bongo Boy Records ‘OUT OF THE GARAGE VOL. 3 as track #6 which was released in early 2017 and marketed to Asia and the world.

Here is a favorite review of the song:

A Music Review by Jenny Cat
6. Barley Station – MUST BE SOMETHING

“Now, I had a flashback to 1967. This song could have heralded the Summer of Love in
a big way with it’s ethereal California style pop harmonies and British
Invasion style groove. Great tune that hearkens me back to bands like The Cyrkle and The Hollies. There’s something about a clean guitar sound with tremolo that sets my imagination a-glow with warm thoughts of peace and love.”

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A nice and interesting write-up appears in the Huffington Post on Out of the Garage Vol.3 which our song “Must Be Something” appears on.

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You can get “Must Be Something” on iTunes HERE!

 

 

 

“Like Destiny” Coming Soon!

On Thursday, January 21, 2016, Barley Station will release a new single titled “Like Destiny”.  Blending folk and rock with progressive beats and pop sensibilities, this one has been called the best yet by those who have heard the song. The song will be available at most digital retail outlets.

Here is a sneak peek of the album art:

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Snippet from a Pre-release review:
“You’ll want to find a pretty spot under the old oak tree by the river and let Barley Stations new single ‘Like Destiny’ flow right through your soul.

“The unique instrumental in the song pairs perfectly with Vocalist Randy Wayne Belts ‘tranquil fluid motion’ vocals transcending one into a heavenly place of peace also known as: bliss… Infectious and pretty, this song is one for the iPod ‘favorites’ playlist for sure!”
~CA Marshall editor of Starlight Music Chronicles and Magazine

(Click here for a sneak audio from the track “Like Destiny”)

 

Album art by Candice Anne Graphics & Photography

 

 

Review of “Christmas For Two”

Review and Interview with Olivia Penalva

by Randy Wayne Belt

(first published in Starlight Music Chronicles Magazine)

As a connoisseur of original Christmas music it’s always great to find something new that is full of festive joy, delight, and fabulous vocals!   “Christmas For Two” by Canadian recording artist Olivia Penalva is just one of those songs.  With a fresh clean sound that has a somewhat Jazzy and R&B old motown rhythmic feel combined with a very contemporary vocal and lyric, Olivia delivers a song that reminds us of the joy of the season, and just enjoying life and having fun.  It is the perfect Christmas feel-good song!

 

As a singer, not only on this song, but in all of her work, her voice  has a timbre and character that make one think of a voice like that of Andrea Wittgens, Nora Jones, or Colbie Caillat.  Olivia’s voice has a mature tonal quality to it and a special warmth with a sultry yet innocent character to it that will capture your heart and ears.

Perhaps it’s that innocence of youth that can best create the atmosphere of a joyous life-is-good Christmas song.

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At a mere 15 years old, Olivia has already begun making a splash in music, and the addition of “Christmas For Two” to her repertoire will only further the ripples created by the waves she’s already making.

This new Holiday song has already gained some radio play alongside other well established artists with Christmas songs on this years Christmas playlists such as 103.5 QMFM in her home area of Vancouver, BC; Majic 100 in Ottawa, ON and more. But this isn’t her first airplay.  

Then there is Miss Penalva’s recent single “Ferris Wheel”, a song that has a carefree atmosphere with a strong rhythm section, once again, giving a solid beat behind the song which is, more than less, a celebration of life.  With another powerful vocal performance, the song will simply leave you in a good mood!  The control she has over her voice allows her to naturally move around her notes and move in and out of vocal inflections with great ease.  This is a very note worthy song also garnering airplay support.

(Official video for “Ferris Wheel” https://www.youtube.com/watch?v=cMcmCV9-aBM    )

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Another song I should mention is a song called “Forgettable” which Olivia co-wrote and collaborated on with a Canadian DJ Group called Project 46 who released it as part of their own album called “Beautiful”.  And indeed it IS a beautiful!  At this stage in her career, the music seems to be defined by strong rhythm section and very powerful vocals.

(Listen to “Forgettable” at this link:   https://soundcloud.com/djproject46/forgettable-ft-olivia-free-gift-info-below  )

So don’t shrug off the “fifteen years old” part because her voice is like that of an experienced 20-something, and one only needs to be reminded that when LeAnn Rimes came out with “Blue” and floored everyone with her mature sounding voice at age 14, they said the same thing with a similar “Wow” effect.  Her voice simply commanded respect and admiration.

So naturally, one of the questions I wanted to ask leads right into my interview:

Click Here to read my interview with Olivia in Starlight Music Chornicles Magazine