Review of One More Life by Coco Scott
(written by Randall Wayne Belt)
One thing about this artist is that she knows her strengths and makes the most of that by highlighting her stellar vocals and great pitch with sparse arrangements with piano and/or guitar, beats and accents of various kinds. One thing you’ll notice on her previous releases is that her voice is always the highlight of the song leaning on strong melody and vocal performance to carry her through. The song Falling is a good one to listen to to hear what I mean and is a fabulous song on its own . The melody and instrumentation have a very beautiful and Celtic feel.
Her song Smolder, another beautiful vocal oriented piece with rich piano backdrop, has the same Celtic underpinning. As does the song “Wait For Me”. Scott puts all her heart and soul into her vocal takes, that much is obvious. And in that vein, as stated in her description of the song Wait For Me on her YouTube Channel, the description says, “we all make mistakes, but sometimes we don’t get to make up for them. ‘Wait for Me’ is a heart-wrenching plea for forgiveness. If you like any of the ‘Grey’s Anatomy’ soundtracks, you’re going to love this song!”
And the song is indeed heart-wrenching and continues with the sparse arrangement and emphasis on the vocal. After all, a lyrical song is all about the vocal and what is being sung. But this amazing vocalist is capable of much more than the sparse arrangements of Celtic underpinning, and she doesn’t leave it all there.
On Coco’s latest release “One More Life” the production gets more experimental with sounds and moves slightly away from the sparser arrangement style and takes on some more contemporary pop appeal.
And it is a great success because the arrangements do not take away from the vocal but underscore it. On this song, which is my big focus here, piano starts as slowly the song builds and sequenced sounds appear – and then other sounds come in and build around the perfect vocal take and begin to pulsate by “Baby lets fly, I can’t wait another moment”. Electric guitar comes in just to make accents at this point. Then the beat picks up and pulses the song home even further while all is tastefully done and not subtracting from the vocal, but rather, highlighting it! The concept of less is more is working here as it has on other recordings of Coco Scott. Nothing is to intrusive. Nothing is overdone. Perfect arrangement.
Her voice is crystal clear like you are there in the room with her. A result of using very high resolution recording. Every syllable and consonant are crisp and clear and leave you hanging on the edge of your brain. One has to commend the recording engineer, as well as the singer, for capturing everything so well. Independent artists should take note of how well recorded this song is and use it as a vocal standard that can be achieved.
The song seems to be asking for “one more life”, “One more love”, which could mean another chance at love to perhaps get it right this time – as it seems perfect for once – a concept I think a lot of people can relate to. The line “Better late than never” says it well. The song is short and sweet coming in under 3 minutes as a radio friendly pop song should. It does what it needs to do and ends leaving you wanting to listen again, which I think is the ultimate goal of a song in terms of wanting more.
This song is much more preferable than much of what passes as pop that clutters the airwaves today. It is contemporary but it is it’s own thing. The music and luxurious tasty vocals are rich like the audio version of sleeping on custom satin sheets.
Hear/Buy One More Life on CDBaby: