Category Archives: song review

Review of One More Life

Review of One More Life by Coco Scott
(written by Randall Wayne Belt)
November 2019

One thing about this artist is that she knows her strengths and makes the most of that by highlighting her stellar vocals and great pitch with sparse arrangements with piano and/or guitar, beats and accents of various kinds. One thing you’ll notice on her previous releases is that her voice is always the highlight of the song leaning on strong melody and vocal performance to carry her through. The song Falling is a good one to listen to to hear what I mean and is a fabulous song on its own . The melody and instrumentation have a very beautiful and Celtic feel.

Her song Smolder, another beautiful vocal oriented piece with rich piano backdrop, has the same Celtic underpinning.  As does the song “Wait For Me”. Scott puts all her heart and soul into her vocal takes, that much is obvious. And in that vein, as stated in her description of the song Wait For Me on her YouTube Channel, the description says, “we all make mistakes, but sometimes we don’t get to make up for them. ‘Wait for Me’ is a heart-wrenching plea for forgiveness. If you like any of the ‘Grey’s Anatomy’ soundtracks, you’re going to love this song!”

And the song is indeed heart-wrenching and continues with the sparse arrangement and emphasis on the vocal. After all, a lyrical song is all about the vocal and what is being sung. But this amazing vocalist is capable of much more than the sparse arrangements of Celtic underpinning, and she doesn’t leave it all there.

On Coco’s latest release “One More Life” the production gets more experimental with sounds and moves slightly away from the sparser arrangement style and takes on some more contemporary pop appeal.

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And it is a great success because the arrangements do not take away from the vocal but underscore it. On this song, which is my big focus here, piano starts as slowly the song builds and sequenced sounds appear – and then other sounds come in and build around the perfect vocal take and begin to pulsate by “Baby lets fly, I can’t wait another moment”. Electric guitar comes in just to make accents at this point. Then the beat picks up and pulses the song home even further while all is tastefully done and not subtracting from the vocal, but  rather, highlighting it!  The concept of less is more is working here as it has on other recordings of Coco Scott. Nothing is to intrusive. Nothing is overdone. Perfect arrangement.

Her voice is crystal clear like you are there in the room with her. A result of using very high resolution recording. Every syllable and consonant are crisp and clear and leave you hanging on the edge of your brain. One has to commend the recording engineer, as well as the singer, for capturing everything so well. Independent artists should take note of how well recorded this song is and use it as a vocal standard that can be achieved.

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The song seems to be asking for “one more life”, “One more love”, which could mean another chance at love to perhaps get it right this time – as it seems perfect for once – a concept I think a lot of people can relate to. The line “Better late than never” says it well. The song is short and sweet coming in under 3 minutes as a radio friendly pop song should. It does what it needs to do and ends leaving you wanting to listen again, which I think is the ultimate goal of a song in terms of wanting more.

This song is much more preferable than much of what passes as pop that clutters the airwaves today. It is contemporary but it is it’s own thing. The music and luxurious tasty vocals are rich like the audio version of sleeping on custom satin sheets.

Hear/Buy One More Life on CDBaby:

Coco Scott Homepage

Coco Scott on Spotify

Watch and listen On YouTube

Somebody To Love

Review of “Somebody To Love”
by Randy Wayne Belt
Sept. 2019

With a distinctly mid western and southern charmed voice, not to mention a Dove Awards nomination and Josie Awards nominations, Karisa Kay brings and sings her song “Somebody To Love” to life by telling the story of two people who find love in each other for a lifetime.

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You get that sense in this song and can feel an emotion in the singing voice that just can’t be pretended especially on the powerful chorus. And when you see the video (below) you’ll understand why: The song is about her own grandparents. You’ll see the pictures and images and know they were from what we call “The Great Generation”, a generation that understood love for country, each other, and commitment. You can’t help but get a sense of longing for the same kind of thing by the artist when you hear the heartfelt singing.

Originally from Iowa, Karisa Kay is a country singer and songwriter strongly influenced by Gospel and her roots come from traditional country having been brought up listening to Patsy Cline, Tammy Wynnete, Crystal Gayle, Dolly Parton and Reba McEntire. Those influences come out in her writing and singing and you can hear that she has a heart and soul of old country.

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I like to start at the beginning and this song from the 2016 album is a good starting point. Appropriately fixed as the album title, the song “Somebody To Love” strikes me as the big hit of the same titled album. The song begins with what I call “the Americana beat” – you know, that shuffly country beat you might hear in a Tim McGraw song?

The body of the song is then accented by a bit of slightly crunchy guitar riffs, steel guitars or pedal steel, with a piano giving the under rhythm and at times a bit of accenting counter melody that you don’t notice unless you pick it apart (like a reviewer might do) with the beat. The song is like a revival of when country music was more traditional but with a slight contemporary twist.

Even if you are not a fan of country you’ll have to admit this song has a compelling and crossover chorus.

The chorus is very powerful and strong and grabs you and makes you feel like it is familiar and you want to hear it again and again. The harmonies are carefully placed to fatten up the sound. The key change at the end of the song gives the chorus an extra push without making it feel overdone, as choruses often do, by the end of the song. The lyrics at the end of the story perfectly lead into the last chorus with the line “all because two people found…somebody to love” making the chorus flow right off the last verse/pre chorus.

The songwriting sticks to traditional country theme but does it in a way that shows the song is well crafted, structured, and ready for radio. The sense of melody is apparent and the song will hook you in by the chorus and keep you coming back.

Karisa Kay web page:  https://www.karisakaymusic.biz

Facebook: https://www.facebook.com/KarisaKay76/

Listen on Spotify:

Watch the video:

https://itube247.com/video/karisa-kay-somebody-to-love/

Breaking Out

Review of  Verity White’s album: Breaking Out

reviewed by Randy Wayne Belt
April 16, 2018

I remember how relieved a lot of people were when rock made a bit of a comeback in the 90s and I recall a lot of people saying how they felt they could listen to new music again instead of just regurgitated classics.

With rock’s decline in the late 90s and taking a backseat on major charts like Billboards, the dance and electro music chiefly took over pop radio and totally dominated by 2009. However, a pop/rock resurgence has occurred as led by the electro rock of groups like Imagine Dragons. It is almost like a cycle where pop/rock declines – then rock declines then pop/rock resurges – then rock resurges thereafter.

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Will rock make another comeback? Or will it stay almost as a cult following like when it first started? No one knows for sure. But there is one thing that is for sure – Rock is not dead  – and The UK’s own Verity White will be in the leading edge of a comeback!

Influenced by the 90s rock/grunge scene and adding her own twist of pure rock, some electronic, and a touch of progressive, Verity White’s debut full length album Breaking Out continues to do just that (break out). It is a strong debut album that should lodge her foot in the door and kick it in just enough for the next one to break it down.  And Verity isn’t waiting around for some pie in the sky big label to do the work for her.  She is dong it herself!

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Not only do the lyrics ring true from the heart of life’s experiences, Verity effectively delivers her vocal performance to match the moods on each song. Each song has its own character and each character is easily slipped into. And that shouldn’t be surprising considering her background in theater. Whether a song or component within a song requires the growl of a wild cat or the purr of a kitten, Verity delivers. Power and grit with fire and wit – Purr and claw, she’s got it all.

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As Indie Music Mag put it ” A powerful vocalist with a soulful streak that is truly compelling” (indie music mag, May 2017) I think they are onto something here.

If Verity is the wild cat of this album, then Alex, the guitarist, is the tom cat and shows no mercy to the helpless mice as they are shredded by claws of wound string fret to fret. The rest of the band fills right in with the necessary ingredients to cook up a perfect musical meal.

The extra rich crunchy electric guitars lift this album to a new level. The Hughes and Kettner head and Blackstar cab with a Les Paul Custom guitar run through provided the perfect warm and crunchy sound for this album. No wimpy guitars here!

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The textured layers of music on each track create a unique atmosphere for each song and relate to the lyrics in some way. Each song sounds like it was approached with a unique perspective of what that song needed production-wise. Each song was carefully crafted and attention to details are obvious to a scrutinizing listener.

The opening and title track, Breaking Out, with its meaty introduction to the listener of a real rock experience, kicks things off. It’s a musical “scotch on the rocks” and has a message that you can interpret for yourself in the video. (Watch recently released video for the song)

The second track, Zeroes and Ones, starts things off with a taste of keyboard driven verses showing the artists diversity in taste and style and ultimately lead into crunchy rock chorus pieces that flow easily together while following the emotion of the lyrics.

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Demonstrating an understanding of the importance of the bridge of a song as a great reset point, it is clear Verity and her production team have taken great pains to finely tune each track.

The keyboard driven sounds of track two continue into track three and then reset back to the harder edged guitar based riff rock with edgy and attitude oriented vocals. Carefully placed vocal effects further demonstrate that the production ideas of this album were no mere accidents but were carefully planned.

The rock attitude comes out fully in the song I Don’t Care which is a total pure rock song that Joan Jett would have been proud to have written and has the perfect bridge providing contrast to the rest of the song.  The fifth song, See Through It, demonstrates that Verity is capable of utilizing her obviously very trained voice and her sense of melody to give the album a break and slight detour into a bit of electronic pop/rock feel that gives the perfect reset point while it lyrically delves deeper into personal struggles that are ultimately given a sense of hope to overcome by the last track, (which is aptly titled Overcome).

That ability to handle any type of vocal is what led me to be ever more curious of her talent and how this album would turn out.

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So impressed was I with her handling of a number of vocal formats that I asked her to provide the leading harmony vocals on a remake by my own band, Barley Station, of the old dance/pop Madonna song “Borderline” (from 1983/1984) changing its format to a more rock-oriented tune but with a male/female lead vocal. And Verity indeed delivered! (view article on that)

One of my favorite tracks on this album is the song Exhale“. So I wasn’t surprised this was pushed as a single from the album. Like some of the other songs presented in this collection of original songs, “Exhale” combines the cleaner sounds of keyboards and weaves them through the song with the crunchy guitar sounds, creating textures

The album concludes with another of my favorites, the creative and hypnotic track “Overcome“. By now as the album is about to conclude, you understand and have a clearer picture of the concept behind the album of overcoming many of the things we struggle with in life. And especially so the struggles of an artist in a world that imagines perfection is achievable and projects unrealistic demands on its inhabitants. Overcoming the struggles of depression and using music as an outlet and healing mechanism seems to be an underlying theme that is effectively delivered in this album.

The set up is all there for a follow up album to demonstrate that Verity White will be an artist to watch and take notice of and as I said earlier, kick that door in the rest of the way. Verity is always interacting with her fans, has great stage presence, and works her tail off writing, recording, and touring. There’s no reason not to belief that she cannot achieve whatever she sets her mind to. Rumor has it a new single is in the works, so watch for that!

WEBSITE : www.veritywhite.com
SPOTIFY: https://open.spotify.com/album/7zF9Hwte3JZG8qLDZveCBM?si=V0ZITobGSDeBid2edOg75w
TWITTER : www.twitter.com/veebear
FACEBOOK: www.facebook.com/VerityWhiteSinger
INSTAGRAM: www.instagram.com/Original_Verity
PATREON: www.patreon.com/VerityWhite

PR Contact
Email: veebear@me.com

Katie Belle Akin: Review of “You Are My Holiday”

 

Katie’s enthusiasm for music and singing has been consistent since an early age.  Following her dreams, working hard, and learning from her mistakes with an always upbeat attitude has helped her multi-task successfully as a musical entertainer and in fashion as a model.

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Since her very first music release, and even since my last review of her music, she has come a long, long way, and like a fine wine, only improves with time.

She has that special “it” in all that she does that brings me to her Christmas song, which I pulled from her back catalog of other great songs.  

Blessed with natural vocal talent and an ear for a good melody, Katie brings home the Christmas cheer easily with her song “You Are My Holiday“. I dug this song up by accident and was surprised I didn’t find it before. It is from 2012 but sounds as fresh as yesterday!  It is pure goodness!

I can hear this song being covered by other artists in the future in a big way. And it is also a great candidate for a Christmas movie soundtrack.

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The rich warm acoustic guitar played by song co-writer Kip Williams starts the song out accompanied by Katie’s naturally pure and very tuned vocals and with the snare brushes and brush hits that give it a light and smooth feel.

Katie’s vocal gives a rich, warm, and enchanting beginning to the song that when the chorus kicks in knocks you out with a fantastic hook that will be stuck in your head for life.

As the song progresses from the perfect opening sparse arrangement, more instrumentation comes in and the bass picks things up a notch and never lets it back down.

With dramatic vocal pauses before the chorus, the song is well arranged and puts the “Merry” into Merry Christmas.

The song will fill you with feelings of jubilee and bright cheerfulness washing away any kind of sadness that sometimes come to many this time of year. The song is like an escape into merriment and blissful joy.

Katie Belle’s Homepage:  http://www.katiebellega.com

Watch the video on YouTube: https://youtu.be/gvqd1IKorwI

 

 

Olivia Penalva | “Dream You Home” Single Review

by Randy Wayne Belt
Dec 23, 2017

(First published in Starlight Music Chronicles on Nov. 30, 2017)

I’ll admit I love the Hallmark Christmas movies.  There’s something about that time of year  that makes even the mediocre movies seem good or magical.  But the best ones always have great music behind them.  Olivia Penalva’s new Christmas song “Dream You Home” would fit well as a background track for one of the well produced Hallmark Christmas movies, or any other, for that matter. This song is far beyond medicocrity.

Olivia, who hails from Vernon, BC in Canada, has put together quite a gem with this new song.  It has that magical sparkle to it in the underlying arrangements.  It is not as much an in-your-face Christmas song as it is capturing the spirit behind the season, making it perfect for placement in any Christmas or Holiday movie.  The chorus of the song is very memorable and powerful and even having  this as a background track would make any movie even better. (Great tracks can MAKE a great movie)

Not only does the song have a great mix of sounds based around a sort of shuffle march type drum beat on the verses but the lyrics are well written and paint a perfect picture of what she is trying to convey.

My favorite lyric in “Dream You Home” is “The light in your soul shines brighter than gold in my heart – that’s where you are.”

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The images invoked by the song could be any number of situations. It could be a lost loved one or a significant other who is separated by distance or time, or even a soldier gone in a far away land during the Christmas Season and the song  is almost like the soldiers spouse singing to bring him home even if it’s only at home in the heart.

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The song does indeed grab your heart and imagination, which is, to me, the ultimate goal of a song – to speak to anyone or everyone in any situation.  This is one more thing that makes it an easy shoo in for anyone considering it for a spot in a Christmas movie.

Often, it is this time of year when many find themselves missing a loved one in some capacity, and it isn’t always the best time for many, but even still and even if you are not into Christmas or the spirit of it, and even if you are the Grinch himself, this song still weighs in on its own merit as a song with a powerful  chorus that demands attention and speaks to the soul.

This isn’t Olivia’s first Christmas song.  I reviewed “Christmas For Two” which was published in Starlight Music Chronicles’ December issue back in 2015

 

And also on my own blog: https://barleystation.wordpress.com/2015/12/19/review-of-christmas-for-two/

Since that time Olivia has progressed even further as an artist and has honed even further her vocal and songwriting skills. Recently reaching a million plays on Spotify, her newer music bears out how far she’s grown since then.

Her voice still has that same special warmth to it but with a sultry yet still innocent sound that will capture your ears, heart, and will leave a memorable impression when you hear it.  I compared her voice before, in a sense to that of Nora Jones, or Colbie Caillet.  In fact, since the last review, Olivia was able to be mentored by Colbie Caillet after winning teen artist of the year in the Starlight Music Chronicles “Artist of the Year Contest” in 2016.

As a winner, Olivia got to attend ArtistMax an Artist Development program in L.A. in March 2017. Artist Max was dreamed up by legendary producer and engineer Ken Caillet (Fleetwood Mac Rumours) and was mentored there by Ken and Colbie Caillet, and David Foster in L.A..

Link to Dream You Home on Spotify:
https://open.spotify.com/album/69E17KNMwKzhFSPRHKNHQU

Facebook: https://www.facebook.com/OliviaMusicLive/

Website: https://www.oliviamusiclive.com/

YouTube Lyrics Video: https://youtu.be/Fp6F0TAK1AI

Olivia Penalva SMC 2016 TEEN Artist of the Year

iTunes: https://itunes.apple.com/us/album/dream-you-home/1300720379?i=1300720661

Review of “Don’t Underestimate Me” by Carolina Magnolia

Originally printed here on Starlight Music Chronicles

by Randy Wayne Belt

This rootsy song by Carolina Magnolia could be the missing song from “Oh Brother Where Art Thou”, or even better, it could have been used for a follow up movie “Oh Sister Where Art Thou”.  No seriously!  This song could easily find its way into an appropriate soundtrack, without a doubt.

Based out of Petal, Mississippi this Duo has an acoustic sound all their own. blending genres a bit without you even noticing, this song in particular has that old-timey feel that will pull you right back in time.  The chorus and title of this song, “Don’t Underestimate Me”, lends the song a very memorable phrase and melody. It is like you may have heard it before, only you haven’t.

carolinamagnoliaLead vocalist Virginia Grey delivers just the right sassy soulful sound with her voice and guitar playing for this track.  The line “I’ve got horns hidden under my halo” sums up the vocal work here.  Carolina Magnolia is backed by Tammy Chambliss with her smooth harmony and background vocals and upright bass ability.  The vocals together in harmony and alone, hauntingly sound like they were pulled straight out of a time warp to back when music was pure, raw, and real and sounded music the better for it.

Adding in the upright bass gives the song just the bottom end it needs to thump its way onto the canvas of sound and bring the swampy bluesy sound into an Americana field and into your soul and feet.  If you mix a little CCR (especially that tremelo guitar sound in this song) with a bit of Alison Kraus and Union Station and a little rock, blues and country, you’ll get a bit of an idea of what sounds you can expect with this group.
The duo is currently working on their first album together which is expected to be released sometime in 2016.  Judging from the back catalogue by the duo’s songwriter Virginia Grey, (notably, and I recommend as well: Virginia Grey’s Greatest Hits you can expect some excellent songwriting and musicianship coming up on that album.

Social Media Links for Carolina Magnolia (click to view):
Website
Facebook
Since the original posting of this review on Starlight Music Chronicles
Carolina Magnolia has indeed released a full length album. It was released Dec 7, 2016.

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‘New Beginnings’ cover art

Here is the link: https://itunes.apple.com/us/album/id1181934091

Must Be Something

To catch up with all the singles released since my last blog post, we will start with this one.

The single “Must Be Something” was released on March 31, 2016 and also appears on Bongo Boy Records ‘OUT OF THE GARAGE VOL. 3 as track #6 which was released in early 2017 and marketed to Asia and the world.

Here is a favorite review of the song:

A Music Review by Jenny Cat
6. Barley Station – MUST BE SOMETHING

“Now, I had a flashback to 1967. This song could have heralded the Summer of Love in
a big way with it’s ethereal California style pop harmonies and British
Invasion style groove. Great tune that hearkens me back to bands like The Cyrkle and The Hollies. There’s something about a clean guitar sound with tremolo that sets my imagination a-glow with warm thoughts of peace and love.”

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A nice and interesting write-up appears in the Huffington Post on Out of the Garage Vol.3 which our song “Must Be Something” appears on.

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You can get “Must Be Something” on iTunes HERE!

 

 

 

“Like Destiny” Coming Soon!

On Thursday, January 21, 2016, Barley Station will release a new single titled “Like Destiny”.  Blending folk and rock with progressive beats and pop sensibilities, this one has been called the best yet by those who have heard the song. The song will be available at most digital retail outlets.

Here is a sneak peek of the album art:

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Snippet from a Pre-release review:
“You’ll want to find a pretty spot under the old oak tree by the river and let Barley Stations new single ‘Like Destiny’ flow right through your soul.

“The unique instrumental in the song pairs perfectly with Vocalist Randy Wayne Belts ‘tranquil fluid motion’ vocals transcending one into a heavenly place of peace also known as: bliss… Infectious and pretty, this song is one for the iPod ‘favorites’ playlist for sure!”
~CA Marshall editor of Starlight Music Chronicles and Magazine

(Click here for a sneak audio from the track “Like Destiny”)

 

Album art by Candice Anne Graphics & Photography

 

 

Review of “Christmas For Two”

Review and Interview with Olivia Penalva

by Randy Wayne Belt

(first published in Starlight Music Chronicles Magazine)

As a connoisseur of original Christmas music it’s always great to find something new that is full of festive joy, delight, and fabulous vocals!   “Christmas For Two” by Canadian recording artist Olivia Penalva is just one of those songs.  With a fresh clean sound that has a somewhat Jazzy and R&B old motown rhythmic feel combined with a very contemporary vocal and lyric, Olivia delivers a song that reminds us of the joy of the season, and just enjoying life and having fun.  It is the perfect Christmas feel-good song!

 

As a singer, not only on this song, but in all of her work, her voice  has a timbre and character that make one think of a voice like that of Andrea Wittgens, Nora Jones, or Colbie Caillat.  Olivia’s voice has a mature tonal quality to it and a special warmth with a sultry yet innocent character to it that will capture your heart and ears.

Perhaps it’s that innocence of youth that can best create the atmosphere of a joyous life-is-good Christmas song.

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At a mere 15 years old, Olivia has already begun making a splash in music, and the addition of “Christmas For Two” to her repertoire will only further the ripples created by the waves she’s already making.

This new Holiday song has already gained some radio play alongside other well established artists with Christmas songs on this years Christmas playlists such as 103.5 QMFM in her home area of Vancouver, BC; Majic 100 in Ottawa, ON and more. But this isn’t her first airplay.  

Then there is Miss Penalva’s recent single “Ferris Wheel”, a song that has a carefree atmosphere with a strong rhythm section, once again, giving a solid beat behind the song which is, more than less, a celebration of life.  With another powerful vocal performance, the song will simply leave you in a good mood!  The control she has over her voice allows her to naturally move around her notes and move in and out of vocal inflections with great ease.  This is a very note worthy song also garnering airplay support.

(Official video for “Ferris Wheel” https://www.youtube.com/watch?v=cMcmCV9-aBM    )

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Another song I should mention is a song called “Forgettable” which Olivia co-wrote and collaborated on with a Canadian DJ Group called Project 46 who released it as part of their own album called “Beautiful”.  And indeed it IS a beautiful!  At this stage in her career, the music seems to be defined by strong rhythm section and very powerful vocals.

(Listen to “Forgettable” at this link:   https://soundcloud.com/djproject46/forgettable-ft-olivia-free-gift-info-below  )

So don’t shrug off the “fifteen years old” part because her voice is like that of an experienced 20-something, and one only needs to be reminded that when LeAnn Rimes came out with “Blue” and floored everyone with her mature sounding voice at age 14, they said the same thing with a similar “Wow” effect.  Her voice simply commanded respect and admiration.

So naturally, one of the questions I wanted to ask leads right into my interview:

Click Here to read my interview with Olivia in Starlight Music Chornicles Magazine

Song/Video review: “Taste of Heaven” by Radio Drive

 “Taste of Heaven” by Radio Drive

Article/Review by Randy Wayne Belt    June 14, 2015

It was no surprise to me when I learned that “A Taste of Heaven” by Radio Drive from St. Paul, Minnesota had been nominated  Best Alternative Song for 2014 by the Hollywood Music Awards. And in September of 2014 Bongo Boy Records included “A Taste of Heaven” on their first Compilation CD release to the  Asian market, among many other accomplishments for this artist including music that has been used on shows airing on Animal Planet and Discovery Channel and having signed to Artista Group, an international management agency.

Produced by Chris Garcia, who is known to bring the best out in engineering and vocal production, this song is certainly no exception in bringing out the best.  The vocals on this track are smooth, relaxed, and deliver the type of vocal this song needed. Neither would it surprise me that this song is doing well in the European market as vocally, Radio Drive’s man behind the engine, Kevin Gullickson, has that distinct European tone to his voice.  In many respects his voice and delivery remind me of Neil Finn.

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Kevin Gullickson

“A Taste of Heaven” is an uplifting song that will just leave you in a good mood.  Not a jumping-around-good-mood, but a good mood where you feel a certain contentedness and satisfaction for the moment.  This track is full of layered sounds that give an effective backdrop of sound to the track from the very start that drives home the feelings and moods the artist wanted conveyed.  The song opens with nicely textured melodic guitar bits and builds into background vocals leading into the verse of the song, and the video for the song enhances this experience with it’s imagaries, subtle flashes of light, and scenes of two people enjoying each other’s company.  I would venture to say that if you’d like to hear U2, Imagine Dragons, Coldplay, with a touch of Neil Finn, all rolled into one song, then this is it.

The video flows along nicely with various interesting scenes where time seems to go by faster than normal.  I got the idea that this was meant to convey, intentionally or not, of how the relationship the song seems to be speaking of (and video seems to convey) makes you lose track of time and days and hours. Time goes by… unnoticed.  You’re in love. There’s that sense of timelessness when you are lost in the moment – you are enjoying the here and now, outside of time, just like heaven.  So I’m on the right track here aren’t I?  Well, just to be sure, I checked in anyway to Kevin’s interview on A.V.A. Live Radio with Jacqueline Jax from May 27, 2015 to find clues

(check out interview here) http://avaliveradio.com/behind-the-music-radio-drive-kevin-gullickson-on-a-taste-of-heaven/

and here’s what Radio Drive’s Kevin Gullickson says about the song: “A Taste of Heaven… was written to capture the time when I lived in New York City. I moved there in the month November back in the 80s and met my wife shortly afterward. It was such a care free time for us, living in the big city, doing whatever we wanted, all the excitement and variety the city had to offer – and of course being in love.”

Ok, I think I got it right! And my favorite lyrics from the song are (drum roll please) “you fill up and saturate my life with heaven”.  Now go watch the video:

What was I saying?  Oh yeah.. And now back to the nuts and bolts of it!  The song is saturated with good melodies and harmonies which always wins points with me because, well, I’m a melody guy.  As the song and its video progress, by the time you get to around the 3:50 to 4:00 mark, you have a pretty clear picture of what the song is getting at.  There you will find the overlapping of clouds giving a fitting backdrop to the song to relate to the imagery of the lyrics (heaven) overlapped with the artist on his guitar (on earth).

Rays of light, sunshine and positivity dominate and it becomes apparent by then, that the artist is painting a picture of a relationship that is more than just a “taste of heaven”, but at moments, may seem to be heaven on earth, or heaven meeting earth. This leads to the outro with a string arrangement sound that is fitting for such a sonic atmosphere relating to the imagery in the song. And that reminds me, did I mention this is a well constructed song? Kevin-Gullickson-Radio-Drive-752x440 It seems to just fly by and at no point was I feeling like I just wanted it to be over already. Rather, it ends by giving the listener a sense of completeness of the song and what he wanted to convey with it.  As an artist, it is always a good feeling when you can look back at the production and know that the producer caught your vision for the song as a team, and the team delivered it effectively.

Connect with Radio Drive on the homepage at  Radio Drive Home

And on social media: Radio Drive Facebook  On Twitter  @radiodrivemusic

And subscribe on YouTube:  Radio Drive’s YouTube Channel